The excitement surrounding First Force’s 10,000 SBT drop on the TON blockchain has been electric. A big fall, they claim, one of the largest on TON! Access to these amazing community experiences, all for 30 TON (about $100). That’s the really thrilling part for the TAC community — and, for those who are deeply entrenched in the TON ecosystem. Let's be blunt: aren't we missing something crucial here?

SEA Artists: Where's the Representation?

While the West celebrates this milestone, a crucial question lingers: Where are the Southeast Asian voices? Where is the representation from a region so deeply rooted in artistic talent? This is a region frequently ignored in the worldwide NFT boom. The irony is palpable. One initiative to fund community development on TON has really missed the boat on a dynamic community of creators. This underrecognized community is literally in their own backyard!

It’s quite easy to get sucked into the techno-optimism. As TON continues its price up by almost 4% these SBTs present fantastic potential utility! Step back for a moment. Think of the missed opportunity to really democratize access and highlight the amazing talent percolating in Southeast Asia.

Think about it: the artwork features TACMAN, a robot. While there's nothing inherently wrong with that, couldn't this have been a chance to collaborate with SEA artists to create something truly unique, something that reflected the diverse cultural landscape of the region?

Beyond the Hype: Real-World Impact

Let's talk about the real-world impact. How many artists from the Philippines, Indonesia, Vietnam, or Thailand could have supported a drop like this? Do they have the coalition required to actually pull it off? How many even know about it?

Imagine Nila, an emerging prodigious digital artist from Yogyakarta, Indonesia. She produces multilayered, immersive scenes that juxtapose traditional Javanese designs with cyberpunk aesthetics, scene after beautiful scene. Her work is breathtaking. It is even harder for her to be heard on the larger international stage. She fights against language barriers, lack of access to crypto education, and the generally intimidating nature of the global NFT market.

Meet Jian, a new generation activist and painter based in Hanoi, Vietnam. He expresses his feelings about today’s often chaotic world through his colorful public art and patterns on canvas. His artistry is unapologetically unearthed. Given the right market penetration, it can be extremely profitable.

These are just two examples. There are countless more. Luckily, it’s full of talented artists, eager and prepared to make meaningful contributions, but systemic barriers prevent these creators from making it past the periphery.

Yet, this recent First Force drop, undoubtedly a huge day for TON, shines a light on this unfortunate reality. This demonstrates the extent to which the NFT space is largely dominated by Western voices and worldview. Consequently, creators hailing from these developing markets struggle to earn a seat at the table.

Inclusivity: More Than Just a Buzzword

We need to move past performative inclusivity and toward true inclusivity. True inclusivity looks like proactively providing opportunities and platforms for artists with lived experiences from marginalized communities. It means giving them the tools, mentorship, and stage necessary for them to flourish.

This isn't about charity. For them to understand the vast wealth that SEA artists have to offer. Their distinct perspectives and cultural heritage offer wealth insights to the NFT landscape. This blend of artistic influences creates a more colorful and exciting community artistic environment to the benefit of all.

There’s no denying that First Force and similar pioneering NFT initiatives can, and should, do more. Now they just have to prove they meant it with real inclusivity! Now is the moment to uplift the neglected cultures of Southeast Asia, and build a truly global and equitable NFT ecosystem. The future of Web3 depends on it. Are we creating a more inclusive future for all, or merely for the privileged few?

  • Targeted Outreach Programs: First Force and other NFT projects should actively seek out SEA artists through collaborations with local art organizations and communities.
  • Grants for SEA Artists: Establish grant programs specifically designed to support SEA artists in creating and minting NFTs.
  • Mentorship Programs: Pair established NFT artists with emerging SEA artists to provide guidance and support.
  • Localized Marketing: Tailor marketing efforts to reach SEA audiences, using local languages and platforms.
  • Lower the Barriers: Consider ways to lower the initial investment cost for SEA artists, perhaps through subsidized minting fees or alternative payment options.

It's time for First Force and other leading NFT projects to step up and demonstrate a genuine commitment to inclusivity. It's time to amplify the forgotten voices of Southeast Asia and create a truly global and equitable NFT ecosystem. The future of Web3 depends on it. Are we building a future for everyone, or just a select few?